Musical powerhouse Nomcebo Zikode’s voice has echoed across continents and continues to cement her legacy as a global sensation. Known for crafting anthems that unite and inspire, the multi-award-winning artist is breaking new ground by teaming up with Nigeria’s Fireboy DML and Kenya’s Sofiya Nzau and have released their 3-step collaboration single ‘META’.
This collaboration, yet again, highlights her ability to fuse diverse African sounds while reinforcing her stance as a trailblazer in the global music scene.
Her game-plan? Authenticity.
“If authenticity is the key to preserving our African music as it grows globally, I think the same discipline applies to artists. Remaining true to who we are as Africans is important because it allows us to create art from a genuine place, and it lets us express ourselves the best way we possibly can,” she said.
Her authenticity coupled with her willingness to collaborate has allowed her to diversify her creativity with how she gets to intertwine styles in a not-so-predictable manner, “which almost always creates something new and fresh,” she said.
Born in KwaZulu-Natal’s Hammarsdale township, the 39-year-old matriculated from Ukusa High School and quickly pursued her singing aspirations. Her early career was shaped by years of perseverance, auditioning tirelessly and supporting South African legends as a backing vocalist, backing for stars such as the late Zahara and Sifiso Ncwane; and the amazing Nhlanhla Nciza, among many others. Those years ploughed back into her craft, which one would agree was preparing her for a solo career that would eventually resonate worldwide.
When the time came for her to finally step into the spotlight as a solo artist, featuring on various songs, Nomcebo’s powerful voice and profound lyrics struck a chord globally, particularly during the COVID-19 pandemic with her global hit Jerusalema.
The song quickly became an anthem of hope and unity, gaining her success her younger self, growing up in a poverty-stricken home, could scarcely have imagined.
She continued on the trajectory of releasing music that has meaning to her, not releasing just for the sake of it, and it is from that POV that she has been able to connect with crowds from all walks of life.
Reflecting on her Grammy win, Nomcebo shares how monumental the achievement was for her. “That moment was extremely special to me because it’s a rare occurrence for someone from where I come from. It showed me that your surroundings never determine your circumstances. It proved we are talented enough, special enough and worthy of such heights.”
Despite her global acclaim, Nomcebo acknowledges the unique challenges she has faced as a woman in the music industry. “It’s very hard to create a name for yourself genuinely,” she said, “but I believe that shaped the thick skin I needed to survive the brutalities of this industry, especially the business side.”
Her resilience underscores a career built on hard work, authenticity and a relentless belief in her worth.
“To be honest, I am always humbled when I see international audiences sing my songs word-for-word, even when they don’t naturally speak my language (isiZulu). Although sometimes they mumble and mispronounce my lyrics (lol), it’s beautiful to continually experience the deep connection people have with my music,” she said.
“This just proves the saying that music is a universal language. Nobody is ever really pressured to sound a specific way or to sing in another’s language. Jerusalem was an (examplary) opportunity for us to truly showcase the different textures of Africa, and that is what will always remain important to me. Authenticity.”
Sharing how she came into contact with the two fellow African artists, she said: “Earlier this year I linked up with Fireboy DML in LA to work on some music, and that is what kicked off the vibe of the song. The energy on that side was amazing, and we were so excited as we were working on it! Shortly after that, Sofiya Nzau came to Mzansi, and she passed by our studio to pen her verse. We all loved her energy and singing style. This was such a magical time for us because we all jumped on a sound that is outside of what we’re used to, which is really what made the creative process special,” she said.
The single is also accompanied by a music video shot in Soweto.
“Being exposed to the international music landscape, I am always in awe to see how South African genres have the potential to take the lead. Looking at where it started with me and where it is now with the likes of Tyla and Uncle Waffles, and with genres like Amapiano—which has already climbed unimaginable heights—the world is responsive to our sounds, and it’s amazing to see.
“Africans just need to unite! It’s not us vs. us—it’s us vs. the world. You know, we have given so much to the world without gaining much in return due to our various histories… I think now is the time for us to create our own space where we can also thrive.”
And while genres evolve, Nomcebo’s star continues to ascend as a global icon. Reflecting on what that title means, she shared: “I would define a ‘global icon’ as someone who has left a positive influence or mark on the world—but most importantly, by doing so in their own unique way.”
Sounds like her, right? Yup, that’s Nomcebo!
